Scorsese's Psycho is a stylish, scary masterpiece
Shutter Island won't attract universally favourable reviews, but that is not because it is bad. It's just unusual, outrageous and made with a splendid disregard for 'refined' critical taste. Maybe it's unrefined of me, but I loved it. It's a wonderfully inventive, visceral horror film, one of Scorsese's most enjoyable pictures, and right up there with Taxi Driver and GoodFellas as a waking nightmare. It's a thrill to see one of the world's finest directors returning to top form at the age of 67. Murder and mystery: Leonardo Dicaprio and Ben Kingsley It's as if, now Scorsese has finally won a Best Picture Oscar for The Departed, which I found polished but conventional, he can make the much more daring, idiosyncratic films he really wants to create. It's 1954, and World War II veteran and U.S. Marshal Teddy Daniels (a jowly and suddenly mature Leonardo Dicaprio ) travels with his deferential new partner Chuck Aule (Ma...